Midas DM-12

Add the Midas DM-12 by Midas to your setup — professional audio equipment trusted by engineers, musicians, and event production crews across South Africa.

Midas DM-12

Midas DM-12 is a 12 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers.

Key Features

• Live performance and studio recording analogue mixer with 12 input channels
• 8 mono input channels with award-winning Midas microphone preamplifiers
• 2 electronically-balanced stereo line input channels on ¼ ” TRS connectors
• 3 band EQ on mono channels with swept mid band
• 2 aux sends with pre/post fader switching
• 60 mm precision long-life faders
• Rugged chassis construction for durability in portable applications
• Auto-ranging universal switch-mode power supply

DM-12

The compact DM-12 saves valuable stage or studio space while delivering strong sonic performance and practical versatility.

This Midas 12 Input Analogue Live and Studio Mixer is built for users who want professional features in a compact format.

What is the secret behind its studio-quality sound?

The unit features 8 award-winning, Midas microphone preamplifiers with true +48 V Phantom Power.

Engineers value them for transparency, nuanced noise, and high-headroom design.

It also includes TRS Line Inputs on all 12channels, mono channel Inserts, and 3-band EQ with mid-frequency sweep.

With 2 switchable pre/post-fader aux sends, 2 monitor outs, and 2-track RCA I/O, the Midas DM-12 remains fully featured.

Live Performance and Studio Recording

With 12 channels, the DM-12 has enough microphone and line inputs for a small band or worship team.

It also works well in the studio and as a keyboard or drum sub-mixer for larger performances.

Dedicated Stereo Inputs

Line channels 9/10 – 11/12 are dedicated stereo channels for keyboards and other stereo instruments.

They can also handle mono signals thanks to a convenient balance control on each 2-channel grouping.

These channels may also serve as return inputs for signals sent to external effects processing equipment.

Midas DM-12 British EQ

The 3-band channel EQ is based on classic British console circuitry that helped define generations of recorded sound.

The swappable mid-frequency band gives you a broad tonal palette for fine-tuning the ideal signal.

Even with generous adjustment, the equalizers maintain musical character and strong audio quality.

Dual Aux Sends

The DM-12 includes 2 aux sends with pre/post fader switching for added flexibility.

Use them for external effects processing, custom monitor mixes, or a combination of both.

Classic Precision

All 60 mm faders are designed for long life and precise level setting over years of regular use.

Quality is Job #1

Its rugged construction and top-of-the-range components support dependable performance in portable applications.

That unmistakable Midas sound makes the Midas DM-12 a professional analogue console.

Value

If you are comparing Midas DM-12 price or wondering Where to buy the Midas DM-12, focus on its feature set and connectivity.

It pairs naturally with other professional audio gear, including products such as the Midas DL231 Active Microphone Splitter.

General Specifications

• Mono Inputs
  • Mic inputs (MIDAS mic preamp): 8
  • Type: XLR, balanced
  • Mic EIN @ 60 dB Gain, 50 O source at insert send: -131 dBu, unweighted, 20 Hz to 20 kHz
  • Mic EIN @ 60 dB Gain, 150 O source at insert send: -128 dBu, unweighted, 20 Hz to 20 kHz
  • Noise @ 10dB Gain, at insert send: -97 dBu, unweighted, 20 Hz to 20 kHz
  • Frequency Response (-1 dB) at Main Output: 20 Hz to 20 kHz (-1 dB)
  • Frequency Response (-3 dB) at Main Output: 70 kHz (-3 dB)
  • Mic Gain Range: +10 dB to +60 dB
  • Max. Input Level: +11 dBu @ +10 dB gain
  • CMRR @ +60 Gain: Typically -90 dB
  • Impedance: 2 kO, balanced
  • Distortion (THD+N) at 0 dBu: 0.005% @ 1kHz
  • Phantom Power: Switchable, +48 V
• Line Input
  • Type: ¼” TRS, balanced
  • Impedance: 20 kO balanced / unbalanced
  • Line Gain Range: -10 dB to +40 dB
  • Max. Input Level: +30 dBu
• Stereo Inputs
  • Type: 4 x ¼” TRS connector, balanced
  • Impedance: 20 kO balanced / unbalanced
  • Gain Range: -20 dB to +20 dB
  • Max. Input Level: +21 dBu
• Equalizer
  • Low: ±15 dB @ 80 Hz, shelving
  • Mid (mono inputs only): ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric
  • High: ±15 dB @ 12 kHz, shelving
• Channel Inserts
  • Type: ¼” TRS connector, unbalanced
  • Max. Input / Output Level: +21 dBu
• Aux Sends
  • Type: 2 x ¼” TRS connector, balanced
  • Impedance: 240 O balanced, 120 O unbalanced
  • Max. Output Level: +21 dBu
• Monitor Out
  • Type: 2 x ¼” TRS connector, balanced
  • Impedance: 240 O balanced, 120 O unbalanced
  • Max. Output Leve: +21 dBu
• Main Out
  • Type: 2 x XLR, electronically balanced
  • Impedance: 100 O balanced, 50 O unbalanced
  • Max. Output Level: +21 dBu
• Main Out Inserts
  • Type: 2 x ¼” TRS connector, unbalanced
  • Max. Input / Output Level: +21 dBu
• Phones Output
  • Type: ¼” TRS connector, unbalanced
  • Impedance: 25 O
  • Max. Output Level: +21 dBu
• 2-Track Input
  • Type: 2 x RCA, unbalanced
  • Impedance: 20 kO
  • Max. Input Level: +21 dBu
• Record Out
  • Type: 2 x RCA, unbalanced
  • Impedance: 1 kO
  • Max. Output Level: +21 dBu
• Main Mix Systems Noise
  • Main mix @ -?, channel fader @ -8: -104 dBu, unweighted, 20 Hz to 20 kHz
  • Main mix @ 0 dB, channel fader @ -8: -91 dBu, unweighted, 20 Hz to 20 kHz
  • Main mix @ 0 dB, channel fader @ 0 dB: -84 dBu, unweighted, 20 Hz to 20 kHz
• Power Supply / Voltage (Fuses)
  • Switch Mode Power Supply: 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
  • Power Consumption: 40 W
  • Mains Connection: Standard IEC receptacle
• Dimensions (WxDxH): 328mm X 370mm X 95mm / 12.9″ X 14.6″ X 3.7″
• Weight: 3.9kg / 1.8lbs

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